Vinyl record rpm stands for
Just close the box like you would a normal suitcase and lock it up. The Audio Max features USB connectivity, which lets you convert your records into digital files that can be stored on your laptop or device. The set includes a protective dust cover, adapter and a felt mat to prevent slipping and skipping.
We like the natural wood-grain finish, which blends in anywhere, from office to living room to den. Reviewers praise this Audio-Technica turntable for its ease of use, high-fidelity audio, and its simple but efficient design. The record player is fully automated, which means all you have to do is set your disc down.
The turntable will place the stylus on the record for you and automatically return the tonearm when the record ends. Like the name suggests, belt-driven turntables are powered by an elastic belt, which connects the platter to the motor, rather than a motor directly underneath.
That positioning, coupled with the ability of elastic to absorb shock, delivers cleaner, clearer sound. Another belt-driven model, this turntable from Fluance is one of the most elegant on the list, coming in either a rich walnut or deep piano black. And thanks to its well-balanced S-Type tonearm, you can expect near flawless tracking, ensuring playback they way it was intended to sound. The team at Fluance is committed to a quality product in a beautiful package, and they succeed on that mission with the RT In October , a Vanity Fair article regarding the trend noted post-album EPs as "the next step in extending albums' shelf lives, following the "deluxe" editions that populated stores during the past few holiday seasons—add a few tracks to the back end of an album and release one of them to radio, slap on a new coat of paint, and—voila!
A article in Forbes discussing Miley Cyrus ' decision to release her then-upcoming seventh studio album She Is Miley Cyrus as a trilogy of three EPs stated: "By delivering a trio of EPs throughout a period of several months, Miley is giving her fans more of what they want, only in smaller doses.
When an artist drops an album, they run the risk of it being forgotten in a few weeks, at which point they need to start work on the follow-up, while still promoting and touring their recent effort. Miley is doing her best to game the system by recording an album and delivering it to fans in pieces. The first EPs were seven-inch vinyl records with more tracks than a normal single typically five to nine of them. Although they shared size and speed with singles, they were a recognizably different format than the seven-inch single.
Although they could be named after a lead track, they were generally given a different title. EPs tended to be album samplers or collections of singles. EPs of all original material began to appear in the s. Twelve-inch EPs were similar, but generally had between three and five tracks and a length of over 12 minutes. EPs of original material regained popularity in the punk rock era, when they were commonly used for the release of new material, e.
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Buzzcocks ' Spiral Scratch EP. Beginning in the s, many so-called "singles" have been sold in formats with more than two tracks. Because of this, the definition of an EP is not determined only by the number of tracks or the playing time; an EP is typically seen [ by whom? In the United States, the Recording Industry Association of America , the organization that declares releases "gold" or "platinum" based on numbers of sales, defines an EP as containing three to five songs or under 30 minutes.
In the United Kingdom, any record with more than four distinct tracks or with a playing time of more than 25 minutes is classified as an album for sales-chart purposes. If priced as a single, they will not qualify for the main album chart but can appear in the separate Budget Albums chart.
These generally contained 20—30 minutes of music and about seven tracks. In underground dance music, vinyl EPs have been a longstanding medium for releasing new material, e. A double extended play is a name typically given to vinyl records or compact discs released as a set of two discs, each of which would normally qualify as an EP. The name is thus analogous to double album. The format is useful when an album's worth of material is being pressed by a small plant geared for the production of singles rather than albums and may have novelty value which can be turned to advantage for publicity purposes.
Double EPs are rare, since the amount of material recordable on a double EP could usually be more economically and sensibly recorded on a single vinyl LP. A second EP was planned, but never appeared; only the sleeve was printed. It is becoming more common to release two inch 45s rather than a single inch LP. Also, the vinyl pressing of Hail to the Thief by Radiohead uses this practice but is considered to be a full-length album. The band subsequently released a further album in this format, 's " Drinking Gasoline ", on the Virgin Records label.
There are a limited number of double EPs which serve other purposes, [ which? An example of this is the Dunedin Double EP, which contains tracks by four different bands.
Using a double EP in this instance allowed each band to have its tracks occupying a different side. In addition, the groove on the physical record could be wider and thus allow for a louder album. In the s and s, record companies released EP versions of long-play LP albums for use in jukeboxes. These were commonly known as "compact 33s" or "little LPs".
History of the 78, 33, 45 RPM Record
What made them EP-like was that some songs were omitted for time purposes, and the tracks deemed the most popular were left on. Unlike most EPs before them, and most seven-inch vinyl in general pres , these were issued in stereo. From Wikipedia, the free encyclopedia. Musical recording longer than a single, but shorter than a full album. This article is about the audio format.
Record sales in the US had dropped from a high of Except for a few recordings of background music for funeral parlors, the last of the issued titles had been purged from the company's record catalog by the end of the decade. The failure of the new product left RCA Victor with a low opinion of the prospects for any sort of long-playing record, influencing product development decisions during the coming decade. CBS Laboratories head research scientist Peter Goldmark led Columbia's team to develop a phonograph record that would hold at least 20 minutes per side.
Research began in , was suspended during World War II, and then resumed in All 12 inch pressings were of grams vinyl. Columbia may have planned for the Bach album ML to be the first since the releases came in alphabetical order by composer. There is also a CD of this album on the market. When the LP was introduced in , the 78 was the conventional format for phonograph records.
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By , 78s still accounted for slightly more than half of the units sold in the United States, and just under half of the dollar sales. Canada and the UK continued production into , while India, the Philippines, and South Africa produced 78s until , with the last holdout, Argentina, continuing until The popularity of the LP ushered in the " Album Era " of English-language popular music, beginning in the s, as performers took advantage of the longer playing time to create coherent themes or concept albums.
But for the '70s it will remain the basic musical unit, and that's OK with me. Although the popularity of LPs began to decline in the late s with the advent of Compact Cassettes , and later compact discs , the LP survives as a format to the present day. Vinyl LP records enjoyed a resurgence in the early s.
It was introduced by RCA Victor in To compete with the LP, boxed albums of 45s were issued, along with EP Extended Play 45s, which squeezed two or even three selections onto each side. Despite these efforts, the 45 succeeded only in replacing the 78 as the format for singles. This series was labeled AP-1 through about AP, pressed on grainless red vinyl. Today AP-1 through AP-5 are very scarce.
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By very tightly packing the fine groove, a playing time of 17 minutes per side was achieved. Reel-to-reel magnetic tape recorders posed a new challenge to the LP in the s, but the higher cost of pre-recorded tapes was one of several factors that confined tape to a niche market. Cartridge and cassette tapes were more convenient and less expensive than reel-to-reel tapes, and they became popular for use in automobiles beginning in the mids. However, the LP was not seriously challenged as the primary medium for listening to recorded music at home until the s, when the audio quality of the cassette was greatly improved by better tape formulations and noise-reduction systems.
By , cassettes were outselling LPs in the US. The Compact Disc CD was introduced in It offered a recording that was, theoretically, completely noiseless and not audibly degraded by repeated playing or slight scuffs and scratches. At first, the much higher prices of CDs and CD players limited their target market to affluent early adopters and audiophiles. But prices came down, and by CDs outsold LPs. The CD became the top-selling format, over cassettes, in Along with phonograph records in other formats, some of which were made of other materials, LPs are now widely referred to simply as " vinyl ".
Since the late s there has been a renewed interest in vinyl . Soundtracks — played on records synchronized to movie projectors in theatres — could not fit onto the mere 5 minutes per side that 78s offered. When initially introduced, inch LPs played for a maximum of about 23 minutes per side, with inch around It wasn't until "microgroove" was developed by Columbia Records in that Long Players LPs reached their maximum playtime that has continued to modern times. Economics and tastes initially determined which kind of music was available on each format.
45 RPM Speed Stevie Ray Vaughan LP Vinyl Records for sale | eBay
Recording company executives believed upscale classical music fans would be eager to hear a Beethoven symphony or a Mozart concerto without having to flip over multiple, four-minute-per-side 78s, and that pop music fans, who were used to listening to one song at a time, would find the shorter time of the inch LP sufficient. As a result, the inch format was reserved solely for higher-priced classical recordings and Broadway shows.
Popular music continued to appear only on inch records. Their beliefs were wrong. By the mids, the inch LP, like its similarly sized 78 rpm cousin, would lose the format war and be discontinued. Ten-inch records briefly reappeared as Mini-LPs in the late s and early s in the United States and Australia as a marketing alternative.